Cinderella and Snow White’s mothers are enduring a quiet, genteel afterlife, when their routine is thrown into chaos by the discovery of a magic mirror that allows them to see what catastrophes their wayward husbands and their wicked second wives have visited upon their children.
Tensions are not improved by the arrival of the earthy, plainspoken mother of Hansel and Gretel.
How they negotiate their relationships with each other is as rocky and volatile as their attempts to interfere in the lives of their daughters. Along the way they learn how much wickedness the good are capable of — as well as how much good a little wickedness can create.
“The Home for Dead Fairytale Mothers” is a full-length play for five actresses (two parts are minor) and a single set. It can be staged very simply in a small space. It is new and has not yet been produced.
ADELINE: A woman in her early 30s; Cinderella’s birth mother
CONSTANCE: A woman in her mid-30s; Snow White’s birth mother
GRETA: A woman in her 30s; Hansel and Gretel’s birth mother
MARGUERITE: A woman in her 30s; Rapunzel’s birth mother
PHOEBE: A woman about 50; mother of 12 princes